: )Īnd I could not get the batteries to charge fast enough. My first surprise: The A7s package came with two batteries. I drove back to my house quickly and unboxed everything. I had it shipped to his office as my typical delivery people are less than vigilant about requiring signatures. I arrived at my house last Friday night, late, after flying home from Minneapolis and then picking up my equipment at a friend’s house. I decided to trade a whole bunch of A-mount stuff for a smaller amount of E-mount stuff on the A7s body. Last time I typed, it was about moving away from the A-mount and making an investment in the E-mount.
#Leica geo office 7.1 stopped working iso
ILCE-A7s, Mitakon Speedmaster 50mm f/0.95 f/0.95, ISO 100, 1/200sĪ week and change later, I find myself on an airplane again. My biggest problem is figuring out which two.
I want to shoot all four of the lenses I have, but I can only bring one or two with me at any given time. I have a new A7s and I am overwhelmed by the possibilities.
I have a really nice problem to have right now. The person in the background behind my son with a hat and headphones on was about two feet behind my son. ILCE-A7s, Mitakon Speedmaster 50mm f/0.95 f/0.95, ISO 250, 1/250sĪgain, I am impressed with the colors. The next evening I took the kids to the NASCAR race at Charlotte Motor Speedway. Without a doubt, I realized this lens had passed the color test. I stopped down to f/1.4 (hearing myself type: stopped down to f/1.4) and produced this result: Not too bad, I could tell I needed to get used to the microscopic depth of field. Here is the first shot taken, followed by a crop of the center. With any bright prime, I started testing it wide open. I put it on my A7s and found it had a very nice, snug fit on the mount.
#Leica geo office 7.1 stopped working manual
I opened the box and found a very heavy manual aperture, manual focus lens. I found the first surprise, a very well-made leather-bound box. Five short days later, a box arrived from Hong Kong. Or I could roll the dice with an international seller on eBay. Both B&H and Adorama had them for pre-order for around $900. The biggest problem with the Speedmaster: availability. There were already a few sub-f/1.0 lenses for the APS-C E-mount bodies, but only one available for the A7-series. And Leica has an option for ten times as much. A couple copies of the Canon Dreamlens (50mm f/0.95) are out there in the $2500-$3000 range. Using an adapter, I could get a couple of the legends out there. Many of these were adapted in someone’s workshop and had a fixed aperture, or worse, a fixed focus.
Doing some research, I had found a number of lenses brighter than f/1.0. The E-mount brought a wealth of possibility with all of the adapters as well as the third-party support. My shooting style lends itself to very shallow depths of field and I wanted to go shallower. One thing I had conceded with the A99 was the possibility of having something brighter than f/1.4. I got the brightest native E-mount lens which is the sharpest autofocus lens Dxomark has ever tested in the FE 55mm f/1.8 but I still wasn’t satisfied. So I have this new toy, the Sony A7s, regarded in a number of circles as the one camera to rule them all (in terms of shooting in the dark).
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